I found the Coen Brothers Blood Simple (1984) to be a very interesting and psychologically difficult film to
watch. The film weaves its way to a
very harrowing scene in which the protagonist, Ray, discovers the body of his
lover’s husband Marty in the bar and eventually buries him alive. It was interesting to note that throughout
this entire section, which is around 15 minutes in length, there is no dialogue
from the protagonist, only noises from the victim once it is realised that he
is still alive and small bursts of dialogue from secondary characters in the
background. What struck me most about
this section was the lack of a score.
Almost the entire section, until music is heard from his car radio,
contains no sound except the noises of creaking doors and footsteps. This only helps in building the tension of
the scene sequence. However, when the
music does play from his radio, it provides a stark dramatic contrast to the
silence, denoting a change of pace.
Abby’s gun plays a very significant role
throughout this sequence. Initially it
provides the motive for Ray’s action in moving the body and burying Marty alive
once he realises he was not dead.
Towards the end of the sequence, when Ray takes the gun from Marty, I
felt that it provided a sense of balance and acceptance, perhaps mutual respect
between the two men.
In addition to the imagery used above,
many other scenes in this sequence rely entirely on the use of imagery and
audio input. The long road stretching in
front of Ray as he drives the body shows a new, endless path ahead. The camera also dwells on the shots of the
fire outside the bar as Ray drives away, perhaps this is to give the audience
the impression of both an ending and a new beginning; a kind of ‘rebirth’ for
Ray’s character.
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